Paranormal legends about paintings have always existed. Some think that a picture falling off the wall represents a bad omen for the person depicted or photographed in it. Others feel watched by some portraits whose eyes seem to follow onlookers as they move through a room. And still others claim that paintings can come alive; people in it can move, smile, close their eyes, or even leave the picture. And, of course, tales of “cursed” paintings abound.
Certainly great writers, from Oscar Wilde with The Picture of Dorian Gray to Stephen King with Rose Madder, have been able to tell extraordinary stories of scary and unsettling paintings. However, many believe that “haunted” paintings can exist in real life. Coming from a family that has always dealt with paintings—my grandfather is a painter, my father was an art collector, and together with their wives they have run a shop selling paintings for over fifty years—it is easy to understand why this is a subject that particularly fascinates me.
In February 2000, a supposedly cursed painting was auctioned on eBay. It was titled The Hands Resist Him and was painted in 1972 by California artist Bill Stoneham. It depicted a young boy and a female doll standing in front of a glass paneled door against which many hands are pressed. The owners claimed that the characters in it came alive, sometimes leaving the painting and entering the room in which it was being displayed. It was sold for $1,025 to Perception Gallery in Grand Rapids, Michigan, which, when contacted some time later, stated that they had not noticed anything strange since buying the painting.
Luckily for Stoneham, the rumor caused by the story made the painting so popular that it was depicted in a short movie by A.D. Calvo (Sitter), as the CD cover art for Carnival Divine’s self-titled album, and was featured in the PC video game “Scratches.” Today, prints of it—and of its sequel, Resistance at the Threshold—are sold in different sizes.
In November 2005, the Italian TV show Voyager showed a painting owned by self-proclaimed psychic Gustavo Rol from Turin. It depicted a noble lady, Teresa Rovere, wearing nineteenth century garments and a somber frown. However, when the painting was seen through the viewfinder of a camera the mouth seemed to curl upward, forming a smile. Nothing could be seen with the naked eye and the film recorded through the camera did not show anything unusual. On the show, it was claimed that this was an unexplainable phenomenon, maybe an after-life paranormal experiment of the late Rol. In reality, it was a simple optical effect due to the round shape of the viewfinder, the lens of which tends to narrow and make rounder anything seen through it: thus, the coronet on Teresa’s hair seems to bend downward just like the mouth appears to bend upward, creating the illusion of a smile that in reality is not there.
MORE . . .
- Haunted painting: The Hands Resist Him (infocult.typepad.com)
- Haunted paintings, creepy dolls, and the uncanny valley (randomsays.com)