Can you test psychic claims with science? Here are a few creative ways that you can test psychic powers scientifically as well as the results of these types of tests that have been performed hundreds of times over the last fifty years. This is part of my Exposing Psychics series.
The Beatles, for all their utopian good vibes, were no strangers to the dark side of the ’60s. They were, of course, at the center of a rather obsessive conspiracy theory — the first one after the JFK assassination to indicate that conspiracy theory had joined the flow of the times, and that it wasn’t just limited to the murder of a president. That theory said that Paul McCartney was dead, that he’d been killed in a car crash in 1966 and replaced by an imposter. (The incident that touched this off was a traffic accident, early in 1967, that involved McCartney’s Aston Martin.)
If the Paul Is Dead rumor was true, then an awful lot of people had to be in on pretending that the fake Paul was the real Paul. To me, though, the ultimate proof that the conspiracy theory was false always came down to Paul McCartney’s eyes. Just study them sometime; they’re among the most distinctive set of celebrity peepers of the 20th century. They are ever so slightly, and beautifully, cockeyed — Paul’s left eye slopes down, and his right eye tilts up just above the other one. They’re the special soul of his Cute One factor. Does anyone really think that a replacement Paul McCartney could have been found who had those exact eyes? As is so often the case, there’s only one thing you should ever lean toward believing about conspiracy theory, and that’s that when you look at it closely, it tends to fall apart.
Yet “The Sixth Beatle,” a documentary about the group’s earliest days, is rooted in a conspiracy theory.
How the Rumor That Paul McCartney Died in 1966 and Was Secretly Replaced by a Look-Alike Got Started
The history of ghost photography and its many problems as evidence.
In books promising you a glimpse of the beyond you find page after page of chilling photographic evidence that spirits of the dead walk the earth! A ghostly baby sits on a grave. A translucent figure descends a staircase. A childs face emerges from the flames of a devastating fire. Do these photographs offer real glimpses of ghosts? Or is there a more rational explanation for ghost photography? Let’s expose these mysterious images to the light of science and see what develops.
The history of ghost photography is closely tied to the history of photography itself. Early photography was much like all new technology in that enthusiasts had to become skilled with the various equipment and chemicals required for producing images. Before the invention of photographic film the photographers worked with chemically treated glass plates which could be cleaned and re-used to make new images. Early photographers were often running small businesses, using their photography to make portraits for 19th century families. Because of the bulk of their equipment, most worked in small studios rather than moving their equipment about. Sittings were arranged and paid for. The expensive glass plates were often cleaned and re-used, but if not cleaned properly the remnants of the old image could be seen in subsequent photos. This method of producing multiple exposures was certainly widely known within the field by the photographers, but was not well understood by the general public.
Before we dive into the story of the early spirit photographers, it is important to talk about the cultural stage upon which they performed. The spread of photography was happening simultaneous to the rise of a new religion or belief system called “Spiritualism.” The main ideas of spiritualism centered around the belief that the dead continue to exist as spirits and maintain their consciousness here on earth after they’ve died. Interaction with these spirits was said to be possible through the use of psychics or mediums. Spiritualism began in the 1840s and grew through the early 20th century, attracting millions of followers and adherents. In the wake of this growing movement, ideas such as parlor seances grew very popular and it was quite easy to find people who openly believed in spirits as a scientific reality.A large population of people seeking proof of life after death made it possible for a robust network of mediums to set up shop in the north east of the United States. It was in this environment that Boston photographer William Mumler introduced spirit photography to a community eager for more proof of life after death.
Mumler had been a jewelry engraver before he began his new career as a spirit photographer with a single photo which he alleged showed the image of one of his deceased relatives who had died several years before his self portrait was taken. In a time when photography was already an expensive proposition for a family looking for a portrait, Mumler was able to fetch several times the normal cost of a traditional photograph for one of his special portraits which would show a ghostly image of some alleged dead loved one along with the mundane image of the living subject.
How would he accomplish this? How did he fool people with his blurry but easy to reproduce multiple exposure photographs? It was a success for him because . . .