The unexpected facts behind this famous ghost story from the 1970s
It was one of the great ghost stories of the 1970s. One of the world’s newest and flashiest airliners, a Lockheed L-1011 TriStar, was making one of its first flights for Eastern Air Lines on December 29, 1972. It infamously crashed in Florida’s Everglades swamp just before midnight, killing 101 of the 176 people on board. The story goes that parts from it were salvaged and installed in other L-1011s, and almost immediately, the ghost stories began. Air crews reported seeing apparitions of their dead coworkers on board the planes that had Flight 401’s spare parts. Books and TV movies frightened audiences, and this ghost story that had it all became a permanent fixture in great American tales of the paranormal. Surely, pilots and air crew would never make up such stories, would they? To all who shivered at night in fear of this creepy story, it seemed that it must have been true as reported.
The actual crash was, in fact, true as reported; and there’s never been any real doubt over what the NTSB (National Transportation Safety Board) investigators determined. Pilot Bob Loft, copilot Bert Stockstill, and flight engineer Don Repo were bringing the plane in to land at Miami International Airport. They got a warning light on the landing gear. Loft told Stockstill to put the plane on autopilot while Repo went below to the avionics bay (called the “hell hole”) to manually check the landing gear. Loft accidentally nudged the control yoke, perhaps with his knee, while turning around to speak to Repo, and the autopilot mode was one which followed whatever pitch the pilot set with the yoke. None of them realized in the dark that they were gradually descending, as their attention was on debugging the landing gear indicator. Stockstill began a turn to follow the airport’s approach pattern, and immediately noticed their altitude — but it was too late. The plane crashed into the swamp; fortunately, it was a relatively gentle angle into a soft surface, and that’s what allowed so many to survive. All three of Loft, Stockstill, and Repo were among the unlucky majority who perished.
The stories began four years later . . .
Also See: Eastern Air Lines Flight 401 (Wikipedia)
While humanity has yet to generate any universally-accepted proof of ghosts or hauntings, millions of people around the world report seeing apparitions or experiencing ghostly encounters every year (and sometimes these events cluster around specific areas). Why? Is there any possible explanation for the purported appearance of ghosts?
The history of ghost photography and its many problems as evidence.
In books promising you a glimpse of the beyond you find page after page of chilling photographic evidence that spirits of the dead walk the earth! A ghostly baby sits on a grave. A translucent figure descends a staircase. A childs face emerges from the flames of a devastating fire. Do these photographs offer real glimpses of ghosts? Or is there a more rational explanation for ghost photography? Let’s expose these mysterious images to the light of science and see what develops.
The history of ghost photography is closely tied to the history of photography itself. Early photography was much like all new technology in that enthusiasts had to become skilled with the various equipment and chemicals required for producing images. Before the invention of photographic film the photographers worked with chemically treated glass plates which could be cleaned and re-used to make new images. Early photographers were often running small businesses, using their photography to make portraits for 19th century families. Because of the bulk of their equipment, most worked in small studios rather than moving their equipment about. Sittings were arranged and paid for. The expensive glass plates were often cleaned and re-used, but if not cleaned properly the remnants of the old image could be seen in subsequent photos. This method of producing multiple exposures was certainly widely known within the field by the photographers, but was not well understood by the general public.
Before we dive into the story of the early spirit photographers, it is important to talk about the cultural stage upon which they performed. The spread of photography was happening simultaneous to the rise of a new religion or belief system called “Spiritualism.” The main ideas of spiritualism centered around the belief that the dead continue to exist as spirits and maintain their consciousness here on earth after they’ve died. Interaction with these spirits was said to be possible through the use of psychics or mediums. Spiritualism began in the 1840s and grew through the early 20th century, attracting millions of followers and adherents. In the wake of this growing movement, ideas such as parlor seances grew very popular and it was quite easy to find people who openly believed in spirits as a scientific reality.A large population of people seeking proof of life after death made it possible for a robust network of mediums to set up shop in the north east of the United States. It was in this environment that Boston photographer William Mumler introduced spirit photography to a community eager for more proof of life after death.
Mumler had been a jewelry engraver before he began his new career as a spirit photographer with a single photo which he alleged showed the image of one of his deceased relatives who had died several years before his self portrait was taken. In a time when photography was already an expensive proposition for a family looking for a portrait, Mumler was able to fetch several times the normal cost of a traditional photograph for one of his special portraits which would show a ghostly image of some alleged dead loved one along with the mundane image of the living subject.
How would he accomplish this? How did he fool people with his blurry but easy to reproduce multiple exposure photographs? It was a success for him because . . .
Here’s What’s Happening
by Bahar Gholipour via LiveScience
It was an ordinary night, but Salma, a 20-year-old student at The American University in Cairo, had a particularly frightening experience. She woke up, unable to move a muscle, and felt as though there were an intruder in her bedroom. She saw what appeared to be a fanged, bloody creature that looked like “something out of a horror movie,” standing beside her bed.
She later explained her experience to researchers who were conducting a survey about sleep paralysis, a common but somewhat unexplained phenomenon in which a person awakens from sleep but feels unable to move. Up to 40 percent of people report experiencing sleep paralysis at some point in their lives, and a few, like Salma, hallucinate shadowy intruders hovering over them.
“Sleep paralysis can be a very frightening experience for some people, and a clear understanding of what actually causes it would have great implications for people who suffer from it,” said Baland Jalal, a neuroscientist at the University of California, San Diego.
Researchers say that sleep paralysis happens when a person awakens during a stage of sleep known as rapid eye movement (REM). People in this stage of sleep are usually dreaming, but their muscles are nearly paralyzed, which might be an evolutionary adaptation that keeps people from acting out their dreams.
It is harder to explain why a subset of people who experience sleep paralysis feel a menacing figure in their room or pressing on their chests.
One possible explanation could be that the hallucination is the brain’s way of . . .
Also See: Senses and Non-Sense: 7 Odd Hallucinations (livescience)
People who’ve stared death in the face and lived to tell about it—mountain climbers who’ve made a harrowing descent, say, or survivors of the World Trade Center attacks—sometimes report that just when their situation seemed impossible, a ghostly presence appeared. People with schizophrenia and certain types of neurological damage sometimes report similar experiences, which scientists call, aptly, “feeling of presence.”
Now a team of neuroscientists says it has identified a set of brain regions that seems to be involved in generating this illusion. Better yet, they’ve built a robot that can cause ordinary people to experience it in the lab.
The team was led by Olaf Blanke, a neurologist and neuroscientist at the Swiss Federal Institute of Technology in Lausanne. Blanke has a long-standing interest in creepy illusions of bodily perception. Studying these bizarre phenomena, he says, could point to clues about the biology of mental illness and the mechanisms of human consciousness.
In 2006, for example, Blanke and colleagues published a paper in Nature that had one of the best titles you’ll ever see in a scientific journal: “Induction of an illusory shadow person.” In that study, they stimulated the brain of a young woman who was awaiting brain surgery for severe epilepsy. Surgeons had implanted electrodes on the surface of her brain to monitor her seizures, and when the researchers passed a mild current through the electrodes, stimulating a small region at the intersection of the temporal and parietal lobes of her brain, she experienced what she described as a shadowy presence lurking nearby, mimicking her own posture.
Via randi.org – JREF
It’s that time of year…
Fact: Around half of the American population, in survey after survey, say they believe in ghosts and hauntings.
There have been dozens of television shows, books, videos and Internet sites in the past 20 years featuring people who claim to be paranormal investigators who found evidence of the paranormal.
Around Halloween time, the media is dripping with hype about ghost tours, ghost hunts, and local paranormal investigations of the community’s historical places with breathless claims of proof of ghosts from these amateur ghost hunters.
What should we think about ghosts? It’s a complicated question. Here are some facts and FAQs to help get you square about where we are with our knowledge of ghosts and paranormal evidence.
This is a deceptively tricky question! The answer you get will completely depend on whom you ask. The “ghost” is one of the most popular concepts of the paranormal (beyond normal). Yet, there is not one agreed-upon definition across disciplines of what a ghost is since one has never actually been caught and examined.
Fact: No ghost has ever been confirmed caught and/or examined by anyone or anything. Therefore, we can’t determine its actual characteristics with any amount of certainty.
The common features we ascribe to ghosts is what we learn from popular culture where the concept of “ghost” has changed considerably through time.
The most common idea about a ghost is that it is the spirit of a dead person (or animal). This implies there is a “spirit”. However, we can’t define or measure “spirit,” either, because it has not ever been captured or measured. It’s more of a faith-based belief, like the soul.
Ghosts are interpreted as being what remains of a person that has not passed to the next realm of existence.
Fact: There is no scientific conclusion that any other realm exists for our “being” to pass to after death.
For reasons that are not consistent through time, paranormalists conclude that some unlucky folks may remain incorporeally stuck here after bodily death. Alternately, some paranormalists say that ghosts could be a form of psychic projection of the human mind.
Early scientific researchers (in the 1800s) who studied the concept in a methodical way, avoided the term “ghost”. Instead they used terms like “phantasms of the dead” or “apparitions”.
Your neighborhood paranormal investigator is fond of describing a ghost as a manifestation of the “energy” of a former being. “Energy” in this case is also used incorrectly since there is no energy sustained after you die. When bodies decompose, that energy is released into the environment.
by Gordon Bonnet via Skeptophilia
Yesterday we had a report from Española, New Mexico that a surveillance camera at a police station had caught an image of a ghost walking across a locked compound.
“At first I thought it was a fly or moth, then I saw the legs,” Officer Karl Romero said. “And it was a human. But not a real human. No. A ghost.”
A popular tale tells of a haunted Jewish wine box that brought ill fortune upon its owners… apparently.
Every once in a while, there’s a small, local ghost story that’s not very good, or that even has an obvious commercial origin, and that has no business becoming popular — but it does. The famous “dybbuk box” (also spelled dibbuk) is one such story. It went from a screenwriter’s pen on an eBay auction page, all the way onto the Hollywood big screen, with 2012’s The Possession starring Kyra Sedgwick and directed by Sam Raimi. It is the story of a small antique wooden box designed to hold a few bottles of wine, to which was attached a horror story going all the way back to the Holocaust. Whoever owned the box, it was said, experienced terrible disturbances for as long as the box was in their home. Why? Because, according to the story, the wine box was inhabited by a “dybbuk”, said to be a tormented spirit come back from the dead.
The whole idea of the box being inhabited by a dybbuk (דיבבוק) is nonsensical, according to what a dybbuk is supposed to be. The Encyclopedia Mythica describes it as “a disembodied spirit possessing a living body that belongs to another soul” and usually talks from that person’s mouth. An important 1914 Yiddish play The Dybbuk was about the spirit of a dead man who possessed the living body of the woman he had loved, and had to be exorcised. The word comes from the Hebrew verb “to cling”, so a dybbuk is specifically a soul who clings to another. Nowhere in the folkloric literature is there precedent for a dybbuk inhabiting a box or other inanimate object.
But of course, we’re talking definitions of folkloric terms, fictional by their very definition; so there’s no reason why this particular dybbuk can’t inhabit a wooden box if it wants to. And besides, the fact that folklore exists for a possessing spirit tells us nothing about whether or not factual events did indeed harass the owners of this box. The folklore is irrelevant to the question of whether or not this wine box did indeed cause the frightening disturbances attributed to it. So let’s see what the box’s claimed history is.
One thing to keep in mind is that, if you’ve heard this story before, you’ve probably heard that the box was owned by a whole series of people, each of whom had lots of terrifying experiences, and they then got rid of it to someone else. In fact, the lone skeptical quote associated with this story is from Chris French, who said of these many owners:
“[They were] already primed to be looking out for bad stuff. If you believe you have been cursed, then inevitably you explain the bad stuff that happens in terms of what you perceive to be the cause. Put it like this: I would be happy to own this object.”
But then when we look at its actual history, the number of people whose hands it is documented to have gone through becomes astonishingly small, two or three at most; and each of whom went to great pains to tell the ghost story in a dramatic way. Let’s have a look.
The dybbuk box first appeared in 2003 as an eBay auction by Kevin Mannis, who owned a used furniture shop in Portland, Oregon. But it was not listed as a piece of furniture; it was listed as a mysterious haunted item. Mannis wrote on his eBay page an elaborate horror story.
Are orbs really ghosts, or a common artifact of photography?
Next time you pick up a camera, watch out. You’re holding in your hand the very device responsible for tens of thousands of the most bizarre and unexplainable type of ghost photographs: Orbs.
Orbs, formally called Spirit Orbs, are those semi-transparent white balls seen floating around in many photographs taken in ghostly locations. Orbs are among the class of paranormal phenomena that are visible only to cameras, and not to the naked eye.
The usual hypothesis presented by believers is that orbs represent spirits of dead people, though some support variations on that. The science behind this hypothesis is not clear. For example, there are no plausible hypotheses that describe the mechanism by which a person who dies will become a hovering ball of light that appears on film but is invisible to the eye. There are lots of other things that a dead person might become, presumably; and the only reason believers have chosen orbs seems to be that orbs are the most common unexpected objects seen in photographs. If there was any good science behind this, there would at least be some plausible proposals for what the orb might consist of, how and why it is generated by a dead body, why it floats in the air; and also some good predictions about who will become an orb after they die, what size and color that orb would be, and where and when it can be found. I welcome any hypotheses that would explain how orbs could be a real phenomenon, but I haven’t been able to find any. The only evidence is anecdotal reports and, of course, the obligatory photographs, found on the Internet by the thousand.
Orbs most often appear on camera when a piece of airborne dust, an insect, or a water droplet is close to the camera, outside of the depth of field, and the flash source is no more than a few degrees away from the axis of the camera lens. This causes the object to be brightly light but way out of focus, resulting in a semi-transparent whitish circle. If the flash or other light source is significantly off of the axis of the lens, you won’t get nearly as much light reflected right straight back to the camera. If the object is within the depth of field it will be in focus and generally very small, and probably not noticeable. If the object is not very close to the camera, again it won’t pick up enough light from the flash.
I’m often challenged by believers that if orb photos are so easy to take, why don’t I do it then? I don’t because many people have already done so. If you want great step-by-step instructions for taking an orb photo, go to assap.org and click on Paranormal Photos. You will get all the examples, instructions, and explanations that you could ask for.
I recall watching MTV’s “Fear” back in 2000 (or so) and thinking, “What easy TV drama! People just scare themselves and the viewers get drawn in!” Since the dawn of the modern paranormal encounter show 14 years ago, has anything really changed?
Nope, not really.
With Amy and Adam exiting “Ghost Hunters” we’re left wondering if they can launch a new media venture significantly different than the parade of ghost investigation shows we’ve watched for the past 10 years. I’d be pleasantly surprised if that could be pulled off but I doubt it. Shows are packaged to be different but underneath, it’s the same old lines, same old places and same tired ideas.
The attrition rate for ghost shows is high; “Ghost Hunters” is the standout exception in its 10th year. Many reality paranormal shows are long gone with “Ghost Hunters” remaining. Most of the original cast, however, is gone and the spinoffs have spun down. After losing so many of their key people, can the TAPS crew come up with something new? All the famous places have been “TAP-ped” already.
The ideas have run out so the embellishment and drama is amped up.
We can see evidence for the staleness of the genre from the failure of “Deep South Paranormal” (Syfy), which only lasted one season after it got low ratings. Actual paranormal researchers, which you might think is a key part of the audience, have been vociferous in stating that reality TV ghost hunting shows in no way depict what they see in their own rounds. “Deep South Paranormal” was accused of perpetuating the myth that crews go around with gadgets to “prove” the paranormal, overreacting to any anomaly. Maybe the ghosts weren’t threatening enough so they had to add live alligators and snakes? Everyday paranormal investigators simply don’t like shows that portray their activities as a joke, even inadvertently. A few parodies have hit the web that suggest the concept of ghost hunting can be comedy gold.
It’s time for “Ghost Hunters” to hang up the gadgets and call it a career. They never once found evidence that . . .
America’s most popular true ghost story was a hoax.
In the small town of Amityville on New York’s Long Island, on a dark evening in 1974, 23 year old Ronald “Butch” DeFeo burst into a bar and declared that his entire family had just been shot. Police discovered six bodies in the DeFeo home at 112 Ocean Avenue, and what’s more, the subsequent investigation revealed that Butch DeFeo had himself killed them all: both his parents, and his four younger siblings, with a Marlin rifle. Despite DeFeo’s claim that strange voices in his head compelled him to commit the murders, he was convicted of all six murders and remains imprisoned to this day.
Just over a year after the murders, the home was purchased by newlyweds George and Kathy Lutz, who moved in with their three children. The house was sold furnished so all of the DeFeo’s furniture was still there, just as it had been on the night of the murders. George Lutz had heard of the murders, so just to be on the safe side, they called a priest whom Kathy knew, to bless the house. The trouble began when the priest was driven out of the house by an angry disembodied voice, and received stigmatic blisters on his skin. The family daughter reported a friendly pig named Jodie, who later began making appearances to the rest of the family through windows. A sculpted lion came to life and walked around the house, and even bit George Lutz. The apparition of a demonic boy appeared and was photographed, which you can find online. Angry red eyes looked into the house at night, and left cloven footprints in the snow. George Lutz woke up in a sweat every night at the same hour the DeFeos were murdered. Stephen Kaplan, a local parapsychologist, was called in to investigate. Powerful forces caused doors to explode off their hinges. Kathy developed strange red marks on her chest and levitated two feet off her bed, and George saw her transform into a hideous old hag. Green slime oozed from the walls of the house, and a crucifix on the wall constantly rotated itself upside down. And, in one final night of terror that the Lutzes have never even been able to describe, the family was driven out of the house, never to return. Their stay had lasted only 28 days.
The events are not surprising, since a few hundred years before the Defeos were murdered, the local Shinnecock Indians used the same property as a sort of insane asylum for their sick and dying. Negative demonic energy was nothing new to the Amityville Horror house.
So what happened next?
George Lutz, whose business was failing (ostensibly as a result of the distraction of the haunting), hoped to find a silver lining and called up the publisher Prentice-Hall. The Exorcist had come out only two years before and had been wildly successful, putting things like demons and abused priests firmly in the public consciousness, so Prentice-Hall was keen to capitalize on the Lutzes’ experience. The publisher engaged author Jay Anson to write the book The Amityville Horror, and the rest is history. The book and subsequent nine motion pictures were highly successful, though most critics agree that the movies were all stupid.
Where it started to get murky was a meeting that George Lutz had during his 28 days in the house. The man he met with was William Weber, who was none other than Butch DeFeo’s defense attorney. Who initiated the meeting is not clear. According to William Weber’s admission in later years, what transpired in that meeting was an agreement that served both men’s interests. The story of the haunting was concocted, based in part upon elements from The Exorcist. George Lutz stood to gain from the potential commerciality of a ghost story based upon the DeFeo murders, and Weber would have a new defense for his client: Demons, as evidenced by the Lutzes’ experience, caused Butch DeFeo to murder his family, at least in Butch’s own mind.