The clash between the champions of scientific skepticism and supernaturalism.
Harry Houdini (1874-1926) was best known as the world’s most famous magician during his lifetime, and also as a tireless debunker of false mediums and dishonest claims of profit-driven supernaturalists. He followed a simple strategy, one that’s the fundamental basis of the scientific method: Work hard to falsify all new hypotheses, and maintain a mind open to all new evidence. Sadly for Houdini, this meant testing what could have been one of the most important personal relationships to the history of public understanding of science.
Much has been made of the friendship between Houdini and Sir Arthur Conan Doyle. As the creator of Sherlock Holmes, Sir Arthur would seem to have been a man of science and rational thought, but he was a lifelong steadfast believer in the supernatural. In fact, it was something that was at the forefront of his attention much of the time. One of the most telling events in Sir Arthur’s career came when he was a member of the Society for Psychical Research, which is often criticized for being composed mainly of true believers in the paranormal, and not all that interested in objective research. In the 1920s, Sir Arthur led a mass resignation of 84 members of the Society, on the grounds that it was too skeptical. The staunchest of the resignees joined the Ghost Club, of which Sir Arthur was a longtime member. The Ghost Club made no apologies for being fully dedicated to the supernatural as an absolute fact. In addition, Sir Arthur’s wife, Lady Doyle, was a medium who often conducted séances appearing to be in communication with the dead, and Sir Arthur was absolutely convinced of the reality of her ability.
Despite a radical difference of opinion, Houdini and Sir Arthur managed to keep their friendship alive for some years, each often writing to the other of their mutual respect, their agreement to disagree, and the value of honesty and integrity in one’s own beliefs — neither man ever doubting the other’s sincerity; at least for a while.
In the spring of 1922, Houdini invited Sir Arthur to the home of his friend Bernard Ernst, a lawyer in New York, in an effort to show him that even the most amazing feats of mediums could be accomplished by skilled — albeit earthly — trickery. He had good reason to sway Sir Arthur if he could; Sir Arthur was passionately engaged in promoting the supernatural to his vast worldwide audience, a public disservice if there ever was one, as honestly intentioned as it was. Houdini prepared a magic trick, one that’s familiar to any practitioner of the art. He had Sir Arthur go outside in private and write a simple note that there’s no way Houdini could have seen; and then upon his return to the room, Houdini had a cork ball soaked in white ink magically roll around on a slate and spell out the very note Sir Arthur had written. Sir Arthur was aghast. Houdini wrote him: . . .
Also See: An Actual Recording Of Arthur Conan Doyle’s “Spirit” From A 1934 Séance (io9.com)
It starts out in Russian, the English begins at the 0:50 mark. The description below the video has been translated from Russian to English by Google Translate.
I have my fingers crossed. 🙂
Description via Google Translate:
Paul Zenon is one of the most famous British magicians with extensive experience in the representation of different tricks, illusions, frauds and paranormal topics. It has several hundred appearances in television shows and almost 30 years experience in participating in public. Began to earn money as a street magician and learns how people can be fooled and manipulated. Then apply their practical knowledge of human psychology and attention to good causes like exposing pseudoscientific “stars”.
Gender Ratio of Zeno presented the most common techniques of mediums, illustrated with examples from the past few centuries. Cold reading (cold reading) and pre-collect information about companion enjoy the same frequency as in the 19th century and television fortune-tellers today.
A magician will instantly see the truth behind any colleague’s illusion. But we have a bit of an advantage: We know we are being fooled. Scientists are instinctive doubters who employ a rigorous method to zero in on the truth, but they aren’t necessarily trained to expect deception by subjects and collaborators.
We can’t make magicians out of scientists — we wouldn’t want to — but we can help scientists “think in the groove” — think like a magician. And we should.
For most of my life I’ve pecked away at a certain type of swindler: faith-healers, mystics, mind-readers. Those of a certain age may remember my appearances on The Tonight Show with Johnny Carson — a skilled amateur magician himself who introduced my exposure of flummery to a huge television audience.
Mine was a lonely voice back then, but I’m not alone anymore. The immensely talented and popular Penn & Teller long ago joined me as foes of harmful deception, along with other magicians; the president of my foundation, D.J. Grothe, has a background in magic, and many of our associates are professional magicians, as well. They all agree with me that the Society of American Magicians and the International Brotherhood of Magicians should re-establish their once very active investigations of the fakers who claim supernatural powers.
It’s not something that is generally done, or maybe at all – I’d love to see one funding grant that has a line item for the services of a magician, if somebody out there has one. But it is long overdue that my peers in the conjuring profession try to take a more active role in the elimination of nonsense science by joining forces with scientists, and that scientists be open to the proposition.
Please bear with me while I offer you a peek behind the curtain, a cursory glance at what we magicians are — and aren’t. First, we’re entertainers, actors, showbiz people who have as our primary objective the delight of our audiences. We’re deceivers, yes, taking on roles and characters to express our art, just as any actor does.
We are not scientists — with a few rare but important exceptions, like Ray Hyman and Richard Wiseman. But our highly specific expertise comes from knowledge of the ways in which our audiences can be led to quite false conclusions by calculated means — psychological, physical and especially sensory, visual being rather paramount since it has such a range of variety.