This may be the best CaptainDisillusion video yet.
Captain Disillusion ponders the very concept of magic by taking a close look at the work of one particular illusionist.
A magician will instantly see the truth behind any colleague’s illusion. But we have a bit of an advantage: We know we are being fooled. Scientists are instinctive doubters who employ a rigorous method to zero in on the truth, but they aren’t necessarily trained to expect deception by subjects and collaborators.
We can’t make magicians out of scientists — we wouldn’t want to — but we can help scientists “think in the groove” — think like a magician. And we should.
For most of my life I’ve pecked away at a certain type of swindler: faith-healers, mystics, mind-readers. Those of a certain age may remember my appearances on The Tonight Show with Johnny Carson — a skilled amateur magician himself who introduced my exposure of flummery to a huge television audience.
Mine was a lonely voice back then, but I’m not alone anymore. The immensely talented and popular Penn & Teller long ago joined me as foes of harmful deception, along with other magicians; the president of my foundation, D.J. Grothe, has a background in magic, and many of our associates are professional magicians, as well. They all agree with me that the Society of American Magicians and the International Brotherhood of Magicians should re-establish their once very active investigations of the fakers who claim supernatural powers.
It’s not something that is generally done, or maybe at all – I’d love to see one funding grant that has a line item for the services of a magician, if somebody out there has one. But it is long overdue that my peers in the conjuring profession try to take a more active role in the elimination of nonsense science by joining forces with scientists, and that scientists be open to the proposition.
Please bear with me while I offer you a peek behind the curtain, a cursory glance at what we magicians are — and aren’t. First, we’re entertainers, actors, showbiz people who have as our primary objective the delight of our audiences. We’re deceivers, yes, taking on roles and characters to express our art, just as any actor does.
We are not scientists — with a few rare but important exceptions, like Ray Hyman and Richard Wiseman. But our highly specific expertise comes from knowledge of the ways in which our audiences can be led to quite false conclusions by calculated means — psychological, physical and especially sensory, visual being rather paramount since it has such a range of variety.